Images: 
Total Rating: 
***1/2
Opened: 
March 21, 2019
Ended: 
January 16, 2022
Country: 
USA
State: 
New York
City: 
New York
Company/Producers: 
Ira Pittelman & Tom Hulce, Berkeley Repertory Theatre (Tony Taccone, Artistic Director; Susan Medak, Managing Director), Sony/ATV Music Publishing, EMI Entertainment World, Inc., Josh Berger, Ken Schur, Ron Simons, Stephen Byrd, Alia Jones, Ruth & Steve Hendel, Cheryl Wiesenfeld, Harriet Newman Leve, Jeffrey Finn, Stephen & Nancy Gabriel, Darren Bagert, David Binder, Wendy Federman, Susan Quint Gallin, Mickey Liddell, Robert Ahrens, Christopher Maring, David Mirvish, Stacy Jacobs, Marianne Mills, Loraine Alterman Boyle, deRoy-Winkler, Karmazin-McCabe, Koenigsberg-Krauss, Zell-Kierstead, Deborah Barrera, Robyn & Larry Gottesdiener, The Araca Group, Rashad V. Chambers, Mike Evans, Hani Farsi, The John Gore Organization, Mike Karns, Willette & Manny Klausner, Gabrielle Palitz, No Guarantees, Sheldon Stone, Stuart Weitzman and Universal Music Theatrical; Associate Producer: Melanie Bafitis.
Theater Type: 
Broadway
Theater: 
Imperial Theater
Theater Address: 
249 West 45 Street
Running Time: 
2 hrs, 30 min
Genre: 
Bio Musical
Author: 
Book: Dominique Morisseau. Songs: from Motown catalogue
Director: 
Des McAnuff
Choreographer: 
Sergio Trujillo
Review: 

While Broadway’s Oklahoma! revival and Hadestown offer modern slants on traditional templates, Ain’t Too Proud: The Life and Times of the Temptations is an example of a relatively recent and already cliched genre: the jukebox musical. Like Beautiful: The Carole King Musical, Summer: The Donna Summer Musical, The Cher Show, Motown, and Jersey Boys before it,  Proud recycles the songbook of its subject, the phenomenally successful R&B male group The Temptations to rake in nostalgic box office dollars. 

There is an overlap of material from Motown, and the basic thread of Dominique Morisseau’s efficient book based on Temptations founder Otis Williams’s memoir is a worn one—humble beginnings, skyrocketing success leading to personal problems, redemption in the end. Fortunately Morisseau, director Des McAnuff and choreographer Sergio Trujillo have crafted an effective delivery system for us to enjoy such hits as “Get Ready,” “Ball of Confusion,” and “My Girl.”

The story and staging move rapidly, and a spectacular cast led by Derrick Baskin as Williams displays magnificent pipes along with dance and acting skills. Special kudos to Ephraim Sykes who stunningly conveys the pyrotechnical vocals and shattering inner demons of David Ruffin, the most volatile member of the group. 

Technical: 
Set: Robert Brill
Miscellaneous: 
This review was first published in TheaterLife.com and CulturalDaily.com, 4/19.
Critic: 
David Sheward
Date Reviewed: 
April 2019