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The ever-dependable Brian Murray, one of the hardest and always-working actor/directors in the business, is back onstage after a two-year absence. He's playing Scotland Yard Inspector Rough in the Irish Repertory Theater's revival of Angel Street, now known as "Gaslight.
The play is a dark drama about a husband with a mysterious past, who, believing his new wife is being unfaithful, submits her to psychological abuse and manipulative dominance that brings her to the brink of a nervous breakdown.
Donna Murphy, the award-winning actress who is one of theater's brightest talents, lights up the stage in the <I>LoveMusik</I> as Lotte Lenya in the semi-biographical musical about the rocky and open marriage of Lenya to composer wunderkind Kurt Weill, played by Tony winner and multiple Tony and Drama Desk nominee, Michael Cerveris. <P>The show is nominated for twelve 2007 Drama Desk nominations, including Outstanding Musical, Director, Book, Actress, Actor, Featured Actor and Choreography. Will there be more to come?
We're forever hearing about the many loves and marriages
has its share of stage romances, and three of them have played out over the
years on the stages of Theater Three.
Rosetta LeNoire, "Rosie" to everyone who loved her (and that list was a very, very long one), at 5' 2" was tiny in statue but was quite the dynamo. After years of acting in starring roles and seguing into major and memorable character portrayals, she had a dream to form a theater company that wasn't black or white but a company for everyone.
Ms. LeNoire's family emigrated from the Caribbean island of Dominica. She suffered from rickets and wore leg braces for 13 years.
Actors' Equity was one of the first unions to stand up against "Jm Crow."
In 1944, the union created a committee to assist minority actors turned away on the road from segregated hotels. Jose Ferrer, who co-starred with Paul Robeson in Othello on Broadway, was outraged by segregation and announced he'd never perform in front of a segregated audience.
Camille Forbes introduces us to a long-ago world of intense racism in America, but a world where the color barrier was broken on Broadway and a medicine-show performer became a star in "Introducing Bert Williams" [Basic/Civitas Books, 404 pages; Photos, index, extensive bibliography; SRP $27.50].
ABC is promoting the heck out of next Monday's much-anticipated telecast of Kenny Leon's production of the three-hour presentation of the new movie adaptation of Lorraine Hansberry's A Raisin in the Sun. It stars Sean Combs and the leads of the Tony and Drama Desk-nominated 2004 Broadway revival that not only brought in a new breed of theatergoers, as Oprah's The Color Purple has these last two seasons, but also broke box office records.
The 40th Anniversary of Hair: The American Tribal Love-Rock Musicalwill be celebrated with concert performances at Joe's Pub in the Park, at the Delacorte Theater in Central Park Saturday, Sunday and Monday. Performances are free and begin at 7 P.M.
The year is 1967, and the Vietnam War is at its height. In New York, a hippie tribe rails against the establishment, intolerance and brutality. When one of their own gets drafted, he must make a decision about what values are worth fighting for.
The Leonard Bernstein/Stephen Sondheim/Jerome Robbins landmark production of West Side Story opened on Broadway in September 1957. The stars were Larry Kert, Carol Lawrence, Chita Rivera and Mickey Calin. Among the supporting cast were Martin Charnin, Marilyn Cooper, Grover Dale and Tony Mordente.
To celebrate the Tony-winning musical's 50th Anniversary, Decca Broadway assembled a roster of classical crossover artists for West Side Story, a new, state-of-the-art recording of the score.
What happens to Humana Festival plays after they're made stageworthy and spotlighted in the annual celebration of new works at Actors Theater of Louisville? They don't just fade away. "On any given day, somewhere in the world," as ATL notes, "a play is performed or read that had its origin at the Humana Festival."
That's quite an achievement for an event that has kept Louisville on the international theatrical map for 32 years.