In the 2015 HBO documentary “How to Dance in Ohio,” filmmaker Alexandra Shiva focuses on three young autistic women and their struggles with social skills and entering the adult world independent of their families. In Rebekah Greer Melock’s book for the musical version, now on Broadway at the Belasco Theater, the scope is expanded to seven protagonists. The engine of the plot remains preparation for a prom-like event. That is the most moving element of the show as the participants learn to cope with their anxieties and the challenges of interacting with others.
Melock’s book is compassionate and informative on the subject of autism. As the therapist Dr. Amigo (a tender and caring Caesar Samayoa) says, “If you’ve met one person with autism, you’ve met one person with autism.” Each individual is uniquely effected by the condition, and Melock conveys the wide variety of their responses with humor and caring. The songs with smart lyrics by Melock and lovely music by Jacob Yandura are a pleasant mix of funny charm numbers, emotional ballads, and clever character pieces highlighting the interests of the dance participants. “Unlikely Animals” featuring the fascination the marsupials of Australia holds for the reclusive Marideth (heartbreaking Madison Kopec) is one of my favorites. The staging by director Sammi Cannold and choreographer Mayte Natalio is smooth and professional, aided by Robert Brill’s fluid set and Bradley King’s warm lighting.
My only caveat is Melock has added melodramatic twists which feel forced and artificial. These include the therapist’s recent divorce, the difficult life choices of his daughter who wants to work with him at his family therapy center after suffering a dance injury, and a condescending internet article about the dance which nearly ruins everything. (Surprise, it all works out in the end.)
Fortunately, the cast overcomes theses minor deficiencies, infusing their roles with heart and yearning. All the autistic characters are played by actors with autism, delivering keenly-felt and authentic performances. In addition to Kopec’s devastating Marideth, kudos to Desmond Luis Edwards’s eccentric and fabulous Remy, Amelia Fei’s adorably shy Caroline, Liam Pearce’s determined Drew, Imani Russell’s sensitive Mel, Ashley Wool’s spiky Jessica and Conor Tague’s very funny Tommy (watch what he does with his eyebrows.) Haven Burton and Darlesia Cearcy have strong moments as two mothers determined to guide their daughters through the choppy waters of prom night and choosing a gown. How to Dance in Ohio is a sweet and moving ensemble piece, slightly flawed but endearing.
