Images: 
Total Rating: 
***3/4
Opened: 
May 10, 2023
Ended: 
June 11, 2023
Country: 
USA
State: 
New York
City: 
New York
Company/Producers: 
Asolo Repertory Company/Michael Donald Edwards
Theater Type: 
regional
Theater: 
Florida State University for the Performing Arts - Mertz Theater
Theater Address: 
5555 North Tamiami Trail
Phone: 
941-351-8000
Website: 
asolorep.org
Running Time: 
1 hr, 45 min
Genre: 
musical
Author: 
Book: Dale Wasserman; Music: Mitch Leigh; Lyrics: Joe Darion
Director: 
Peter Rothstein
Choreographer: 
Cat Brindisi
Review: 

Asolo Rep claims its version of Man of La Mancha is modern and different from the original play and musical, set in Spain at the time of the Inquisition. It’s still structurally and meaningfully a play within a play about a hero who writes his dream about a character who pursues an “impossible” one. Both author Cervantes and his idealistic—if quite unrealistic— “quester” Don Quixote have to convert their greedy fellow prisoners so that they supplement the lead’s dramatic roles rather than take his possessions or power.

Mauricio Martinez perfectly fits the dual lead role.  His singing of delusional Quixote’s “The Impossible Dream” deservedly brought opening night audience members spontaneously to their feet to applaud.  I’ve never heard better. He is equally good proclaiming “I Am I, Don Quixote.”

As raunchy tavern gal Aldonza, the Don’s idealized lady Dulcinea, Janely Rodriguez scores with “What Does He Want of Me?” and songs titled with each of her names. Her soprano is sure and strong enough not to need as much sound amplification as she gets.

Suitable as Quixote’s squire and with his movement as his riding partner, Aaron De Jesus generally underplays Sancho Panza. He does, however, do emphatically the musical declaration “I Like Him,” a cute song.

Among the supporting-cast singers, Brian Kim McCormick is especially authoritative as The Padre. C. Mingo Long makes a memorable Innkeeper and, especially, Governor. Most of the supporting cast handle dual roles in both “plays” well.

Florescent  lights illuminate the modern set with white walls and a stairway leading to…..? Chilly and chilling. Like daytime and darker scenes with details of a novel but improvised props (such as suitcases for horses to ride), the Don’s story unfolds with contrasting persistent activity.  Everything outside of the fiction seems realistic, even though much is in small scenes and often suggestive. Asolo Rep’s production people excel again!

Other Asolo Rep strengths on view are the variety of appropriate costumes and hairstyles as well as puppets and projections.  It’s also a treat to have a whole orchestra in the pit once again.  What good, appropriate music they make!

Cast: 
Reese Britts, Sydney Chow, Aaron De Jesus, Javier Ignacio, C. Mingo Long, Mauricio Martinez, Brian Kim McCormick, Cathy Newman, Rodolfo Nieto, Peter S. Raimondo, Janely Rodriguez, Edward Staudenmayer, Sydney Story, Jerald Wheat
Technical: 
Set:  Michael Hoover; Costumes: Fabrian Fidel Aguilar; Lights: Marcus Dilliard; South: Justin Stasiw; Projections: Greg Emetaz; Hair,Wigs, Make-Up: Michelle Hart; Puppets: Frank J. Paul; Violence & Intimacy Choreographer: Annie Enneking; Cultural Coordinator: Gaby Rodriguez; Dramaturg: Drayton Alexander; Production Stage Mgr.: Nia Sciarretta.
Critic: 
Marie J. Kilker
Date Reviewed: 
May 2023