Jonathan Groff's fans must be bummed that their boy will not be transferring
to Broadway with the Public Theater production of Hair, in which he so
memorably played Claude this summer at the Delacorte in
More in store: Come August, Jonathan will make his film debut with the
release of Ang Lee's "Taking Woodstock." His role therein? Michael Lang, one of
the real-life architects of the 1969 music festival that changed the world. I
recently chatted with him about these endeavors and asked him why, by his own
choice, he is now disin-Hair-ited.
MP: From the blurb in the press release, it seems that Prayer for My Enemy is difficult to describe in brief. Will you take a shot at it?
JONATHAN GROFF: [pauses] What
can I tell you without giving too much away? It's about a family living in
upstate
MP: I understand the script contains asides, in the style of Strange Interlude.
JG: Yes. At various moments, a character will break out of a scene and speak his inner thoughts, then jump back into the scene. But the play is not so abstract that the audience will be thinking, "What's going on?" It's definitely followable, though you do have to pay attention. It's eccentric and surprising.
MP: How did you become involved with this project?
JG: Bart asked me to do a reading about nine months ago. After that, it was a no-brainer; I was begging him to be a part of it. The writing is so great, and to be in a room with Craig is an incredible experience. Then there's Bart. He's amazingly talented and has great ideas, yet he doesn't operate from an ego place. He sees himself as an interpreter. Some directors have personal faults you can excuse because they're so talented, but you don't need to do that with Bart. He's this impossible combination of everything wonderful.
MP: There has been some speculation as to why you're not going to Broadway with Hair, especially since you don't yet have another project lined up.
JG: It was a really hard choice, because I completely fell in love with everybody in that company, and I believed so much in the show coming to Broadway. But I had been working on Claude for almost a year, since those first few concert performances in the park last summer. I didn't want to do the show on Broadway unless I could commit to it totally, and I didn't feel I could do that because I wanted to leave myself open to new parts and continue to evolve as a performer.
MP:
It would have been a nice combo with "Taking
JG: I'd never done a movie before,
and I couldn't have asked for a better first experience. Ang Lee held my hand
through the whole thing and showed me the ropes. We had a lot of rehearsal time
before we started shooting, which was great. There was a real
MP: Are you looking forward to seeing yourself on the big screen for the first time?
JG: Yes. You know, Phoebe Strole and Skylar Astin [from the cast of Spring Awakening] were in Hamlet 2, and Jonny B. Wright was in Nick and Nora's Infinite Playlist. I saw both of those movies twice. I was beaming with pride.
MP:
What are your goals for the near future?
JG: I have career A.D.D. It broke my
heart to leave Hair early to do the movie. That was devastating. But
when I was working on the movie, I loved it so much that I never wanted to
leave the set at the end of the day. Now I'm obsessed with this play and I
don't want to leave Bart Sher. But I'm always looking for the next challenge,
something that's going to help me grow. I'm 23 and I didn't go to college, so I
feel I still have a lot of learning to do.
MP: Wow. I figured you must be a few years older than that by now. Are you really only 23?
JG: Yup!
MP: Well, congratulations for having already achieved so much at such a young age, and for remaining grounded and focused despite the whirlwind.
JG: I just love acting more than anything extra, like being in magazines or on TV. Do you know what I mean? I love performing and working on projects. That's all I want to do.
[END]