A Minister's Wife, book by Austin Pendleton, music by Joshua Schmidt, lyrics by Jan Levy Tranen, adapted from George Bernard Shaw's Candida, is a charming operetta - a moving play about love and its illusions. The story concerns a dynamic minister (Mark Kudisch, a powerful Theatrical figure in a dynamic performance - it's a pleasure to hear him sing), his irresistible wife (the beautiful Kate Fry whose compassion and understanding will move you), and the young poet who is madly in love with her (Bobby Steggert, who is cute as hell, has a lovely voice, and, frankly, comes across as such a little boy, with no cojones, he wouldn't stand a chance. (I remembered that Marchbanks was Marlon Brando's first Broadway role, opposite Katherine Cornell: cojones personified.).
The piece is an interesting musical experiment, full of sprichtstimmer, with a question asked and the answer given in song. And all five cast members can really sing, including Liz Baltes and Drew Gehling as the sub-plot; and the music, with its fascinating contemporary counterpoints, captured me.
Shaw's strong story shines through in this well-directed (by Michael Halberstam), designed (by Allen Moyer), lighted (by Keith Parham) and costumed (by David Zinn) in this unusual, very rewarding theatrical experience.
Images:
Previews:
April 7, 2011
Opened:
May 14, 2011
Ended:
June 30, 2011
Country:
USA
State:
New York
City:
New York
Company/Producers:
Lincoln Center Theater
Theater Type:
off-Broadway
Theater:
Lincoln Center Theater - Mitzi Newhouse Theater
Theater Address:
150 West 65th Street
Phone:
212-239-6200
Website:
lct.org
Running Time:
90 min
Genre:
Musical
Director:
Michael Halberstam
Review:
Cast:
Liz Baltes (Proserpine Garnett), Kate Fry (Candida), Drew Gehling (the Rev. Alexander Mill), Marc Kudisch (the Rev. James Mavor Morell) and Bobby Steggert (Eugene Marchbanks).
Technical:
Set: Allen Moyer; Costumes: David Zinn; Sound: Scott Stauffer; Lighting: Keith Parham; Music Supervisor: Richard Carsey; Conductor: Timothy Splain; Stage Manager: Jennifer Rae Moore.
Critic:
Richmond Shepard
Date Reviewed:
May 2011