Images: 
Total Rating: 
**3/4
Opened: 
March 30, 2003
Ended: 
June 15, 2003
Country: 
USA
State: 
New York
City: 
New York
Company/Producers: 
David Pugh, Joan Cullman, Mike Nichols, Hamilton South, Charles Whitehead & Stuart Thompson presenting Mike Nichols & David Pugh Production.
Theater Type: 
Broadway
Theater: 
Lyceum Theater
Running Time: 
2 hrs
Genre: 
Farce
Author: 
Sean Foley, Hamish McColl, Eddie Braben
Director: 
Kenneth Brangah
Review: 

Rubber-legged Sean Foley is a joy to watch, with his repertoire of John Cleese-like Silly Walks. Hamish McColl makes a good foil. But their act is either the epitome - or the nadir - of British Music Hall comedy. It is what killed Variety over there and Vaudeville over here. Some routines are so bad you cannot help laughing: How can they do this stuff with straight-faces? If you want sophisticated British male comedy-duos, try Hinge & Bracket or Kit and the Widow. Still, this show is worth a visit as every performance features a "Mystery Guest." Kevin Kline, Nathan Lane and Glenn Close have done their stuff.

Our evening was made special by Roger Moore. His face was covered with glowing Robust Juvenile pancake makeup: rather like orange Play-Doh, but he has a great comic sense and obviously enjoyed the kidding. The highlight of the evening, of course, is the actual play what McColl wrote: an amazingly awful dungeon-drama of the French Revolution's Reign of Terror! Talk about Timely Topics! This mini-drama even had Dancing Skeletons! A sometime serious actor and later film-star named Kenneth Branagh directed. Whatever became of Dame Emma Thompson?

Parental: 
mildly risque humor, gunshots
Cast: 
Hamish McColl, Sean Foley, Toby Jones.
Technical: 
Choreography: Irving Davies & Heather Cornell; Set/Costumes: Alice Power; Lighting: Tim Mitchell; Sound: Simon Baker; PSM: Nancy Harrington; Casting: Ellen Lewis. Songs: Gary Yershon; PR: Boneau/Bryan-Brown; GM: Stuart Thompson Productions.
Other Critics: 
TOTALTHEATER David Lefkowitz ?
Miscellaneous: 
This review first appeared in NYTheatre-wire.com
Critic: 
Glenn Loney
Date Reviewed: 
April 2003