Half of G.I. Jive is devoted to the 1940s, pre-Pearl Harbor. Part II gives highlights of the WWII era. Red, white and blue brightens the introductory sparkling curtained backdrop. A huge USO eagled emblem backs the second half. In both sections, two couples (white, black) perform enthusiastically in costumes of each era, from swingy skirts and suits just short of zoot to abstracted military uniforms and hats with insignias on the brims.
Before the jive goes totally G.I., there's much gyrating to the likes of "Juke Box Saturday Night," "In the Mood," "It Don't Mean a Thing If It Ain't Got That Swing." But despite refracted light from a mirrored ball, under it are more Elvis-like than jitterbug moves, less boogie and more rock beat. The Company get more into the theme of the revue with "This Is the Army" and boogie to "Uncle Sam Blues." Near the start of Part II, the unusual "Billy a Dick" is done in innovative harmony. The traditional "Rosie the Riveter" remains fun (with Deanna Greene even cuter than previously with riveter's hat). Excerpts from G.I.s letters reek of sentimentality, and mention of Hiroshima's "Atom and Evil" falls flat.
One would have thought the typical Sarasota audience would greet the dialogue with nostalgic smiles and tears, but those around me (many who experienced WWII or the era) seemed stoic, if not glum. Possibly they distrust overt sentimentalism after the inclusion of the satiric "Oh, What a Lovely War." There was appreciation, though, for the smooth singing of "Apple Blossom Time" and "I'll Buy That Dream," as well as the drama of "Comin' in on a Wing and a Prayer." Steven Cates with his steady voice and underplayed emotions makes a strong impression. Both women move and sing vivaciously, with Greene's gospel tendencies much appreciated, if different from the era's.
Perhaps the most energetic, though a bit swishy delivering some of the romantic lyrics, is Danny Vaccaro. In addition to the rock rhythms, which were not part of the 1940s scene, traditional arrangements are rendered with artistry by pianist Jim Prosser.
