Somewhere early in the second act of Between Riverside and Crazy, the Stephen Adly Guirgis play now running at the Fountain, I realized what a bad play it was. Until then I had gone along with its over-cooked, banal dialogue and melodramatic story, thinking the playwright would somehow overcome the play’s weaknesses and redeem what had gone before. Instead, with the appearance of a Church Lady (Liza Fernandez), a cross between a Catholic lay worker (pun intended), a Santeria witch, and a hooker, the piece collapsed completely.
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