To be fair and honest, I should begin by noting that I am not an admirer of the much-acclaimed playwright and director Morris Panych, neither as a playwright nor as a director. I usually find his work to be arch, pretentious and clumsy. However, this work is so intertwined in its direction, movement and choreography, it is almost impossible to determine who created what; so I suppose I must credit Panych with this Moby Dick's overall inventiveness and fascinating movement and design as well as blaming him for its ultimate incoherence and tedium.
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