“Pick a rumba from one-to-ten,” Groucho used to quip, and that’s about the only pun that isn’t used in Michael Alasa’s cacophonous, carnal, and kooky musical, Born to Rumba!. The plot, about a disciple of Europe’s famed Colette (Angela DeCicco) who joins a Cuban nightclub-cum-brothel run by lothario Alasa, is too scrambled to follow, possibly by design. Still, a little less chaos and a little more structure might make Rumba! feel more like a musical and less like a bawdy blitzkrieg.
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